The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931).　　Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system?　　With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises.　　源自：https://iffr.com/en/iffr/2023/films/endless-borders“当然是处理灵异事件，不过最近我妈开始催婚了，觉得我老大不小了，得找个女生结婚。”杨间说道。苗小善怔了一下，随后笑道：“你也有被催婚的一天啊，不过以你的能力愿意嫁给你的女孩子一定很多吧，要知道你可是大名鼎鼎的鬼眼杨间诶，只要放出话去站在你家门口的女生估计得排个十里路。”