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德拉克的回归
- 主演：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼 Jela Buckova Jozef Cierny Pavel Chrobak 米库拉斯·洛迪津斯凯 Ivan Macho Ján Mildner Andrej Mojzis Jan Pelech 卢多维特·赖特尔 斯特凡·克维季克 Milan Mach
- 导演：爱德华·格莱纳
- 分类：剧情片
- 地区：其它
- 年份：1968
- 更新：2025-07-06 01:10:05
- 简介：
与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).“冷哥，你也知道，那些酒太贵，一晚上能喝掉上万都正常的。最新章节全文阅读”他的言下之意就是他没有这么多的钱，不如冷慕宸有钱。
德拉克的回归演员表：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼 Jela Buckova Jozef Cierny Pavel Chrobak 米库拉斯·洛迪津斯凯 Ivan Macho Ján Mildner Andrej Mojzis Jan Pelech 卢多维特·赖特尔 斯特凡·克维季克 Milan Mach
德拉克的回归播出时间：1968
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Gannet06发表于: 100小时前吕美特非常擅长的一种狭窄空间的叙事营造，在他的《德拉克的回归高清正片在线观看》里可见一斑。阿尔帕西诺的表演毋庸置疑，对他的呐吼印象深刻，老了跟《德拉克的回归高清正片在线观看》里像极了。Dog Day很大程度上是对心理的描绘，如同西部片《德拉克的回归高清正片在线观看》一样，是关于燥热的、压抑的、躁动不安的、失控的情绪。导演在这里营造了一场盛大的全体斯德哥尔摩症候，抢劫罪范如同困兽，在群体的“审视”下，把那些现实伤疤一一揭开，那个时代的娱乐和媒体对人的影响是日益深入和片面化的。那股热情就像浪潮，等到热气消散，一切都将被遗忘。
poo发表于: 61小时前留给最爱的情书…相比其它浪漫爱情轻喜，本片靠动容的细节取胜。每一秒都很微妙。
迟墨L发表于: 187小时前这么多有魅力的老演员，为什么偏偏要让倪大红演男主角，看他比心卖萌说情话简直是惊悚，分分钟跳戏到苏大强，美化甩鞭子这项运动我也不能接受。整部电影也一直在感动～尴尬～深情～肉麻之间横跳。看点都在惠英红叶童梁家辉的演技，能在国产片里看到老人双双自杀的震撼场面也是难得。- 名侦探季生发表于: 52小时前最喜欢这种改编童话的了。特别是这种百合题材。。。。。。朱莉的美艳又到了一个新高度，唇红齿白就算长着两个角都无比美艳啊啊啊啊。我觉得都可以开一个帖子叫做爱上极品渣男友的女儿.....反正不管你们喜不喜欢我就是好爱这个片儿。乌鸦男好萌，王子赏给你了，不用谢。让女王大人和公主好好在一起吧
- 肥嘟嘟左卫门发表于: 143小时前感觉这回在情节推动上美玲妹子和前女友都好多余。。。= =