In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..“不，踩中脚印不是关键，从这只鬼途径走道的时候踩到的脚印会少么？要真正符合要求，必须这只鬼的脚印完全覆盖我们的脚印，那个时候才是鬼开始杀人的时候。”杨间直接抓起脚下的地毯，直接翻了一个面。